Category: Competition

  • Good Yule 2025! – Pt. 2

    Continuing from yesterday’s post about the very busy event!

    The event was my last day as Aquaterra’s Arts and Sciences Champion, a role that was a lot more fun than expected. I am thankful for the opportunity to help shape the A&S activities in our barony over the last year and hope to keep supporting those in the future!

    One of my last official duties was running a Scribal Competition sponsored by our Seneschal, Camilla Valerian, in an effort to help encourage interest in the scribal arts in our barony. The competition was to create blank charters (scrolls used repeatedly for most local awards) for either the Blue Stag or the Blue Kraken awards. There were four folk interested in participating, but life happened in all cases, so for the majority of the day, it looked like we weren’t going to have a competition.

    Then, Kat Draggon decided to create an entry while on site and convinced their friend Dagr Bjornskaege to participate as well. Between the two of them, the populace vote was super close, with Dagr barely prevailing. Dagr has also since contacted me and offered to create a fully finished version of their charter for Their Excellencies’ use! Such a turnaround from what it appeared would happen!

    My final responsibility as Champion was to run the competition to replace me for the coming year, and I believe that turned out incredibly well despite only having one competitor. Domina Aenor de Pessac presented a well-informed explanation of her exploration of creating painted banners in the styling of painted stained glass. The judges were impressed, and Their Excellencies swore her into the role at evening court. Unfortunately, I was remiss in taking photos of her entry, but her presentation was so very thorough and educational that it exceeded my expectations for our local competition, so I’d very much say that was a successful end to my year and I’m so excited to see what she does with the role!

    There were a couple other bright points of the day, as though there weren’t enough already. One was witnessing Camilla’s protege ceremony, making Aenor her Pelican. I am so glad to see this connection and expanded support for Camilla!

    The other bright point was that I received my first Arts and Sciences award, a Griffe et du Lion, the AOA/first level Kingdom A&S recognition!

    Whew! So much for one, single day event!

    It’s taken me some time to get to posting since I also re-structured my SCA blog site and updated my SCA resume and wiki to reflect the changes that happened this past weekend, but seeing all this in print really is good for my brain and I hope to keep improving on documenting my SCA experiences – especially the wins!

  • Scribal design competition at Good Yule

    In addition to the A&S Championship competition, I’ll be hosting another competition at Good Yule in the realm of Arts and Sciences! Our Coronets are looking for new award charters for our Blue Stag and Blue Kraken awards and They’d like your participation in this! Please bring your entries with new, original designs to Good Yule. Their Excellencies will have the option to use any of the entries, but all entries will be displayed for populace vote at Good Yule and the winner will receive a prize!

    Charter design entries should include the linework and calligraphy for the award done on white paper so the Scribe can more easily make copies onto ‘parchment’ paper later for folk to paint before use by Their Excellencies. Charters are painted by folk with different experience levels, so please keep that in mind when creating your design, and consider how easily somebody will be able to interpret where to paint when looking at it with fresh eyes.

    If you are interested in creating a design for this competition, please let me know so I can send you the verbiage needed!

  • Reminder – A&S Championship at Good Yule!

    I’m here to remind folk of the upcoming Aquaterra Arts and Sciences Championship competition being held at our Good Yule event! In this “Anachronism within our anachronism” competition, artisans are invited to showcase their skills by creating an item using a technique from one time and place inspired by artwork or objects from a different time and place. For example, you might create an embroidered pocket using 16th Century Venetian stitching techniques, but with a design inspired by early Scandinavian wood carvings.

    Details for the competition can be found on the Kingdom Calendar and requirements for Champions can currently be found in our Customary on the baronial website under Resources>Baronial Documents, but that’s up for review, so check in with the Coronets if you have questions regarding that.

    I am also looking for judges for this competition, so if you’re planning on attending the event and feel up to the challenge of judging, please let me know!

    I hope many of you choose to compete for the honor of being a Champion of Aquaterra and make our Coronets proud!

  • A&S Tiny Talks at Banner War 2025

    In the style of Dame Lissette de la Rose, I’ll be hosting Tiny Talks at Banner War! Tiny Talks are a low-stakes opportunity to geek out about whatever your current passion is, in this case something that falls in the theme of SCA Arts and Sciences, without the pressure of running a full class or even being a subject expert. Each Talk runs for only 10 minutes followed by a 5 minute Q&A period, and then we tag in the next Talk. This also means the audience’s attention span doesn’t have to stay on one topic for a very long time either, before being given something new to get inspired by! You don’t have to give a Tiny Talk in order to be part of the audience, so please join us and discover new things!

    And YES, there will be WAR POINTS!

    If you are interested in doing a Tiny Talk, you can sign up in advance at [https://forms.office.com/r/95mRXh1iAV](https://forms.office.com/r/95mRXh1iAV) to be sure you get a spot or if there’s more time and interest on site, we can add more folk, giving new folk a chance to do a Talk before opening the floor up to a second talk from previous speakers. You can bring visual aids, handouts, or project kits if you like, but it’s not required.

    11:30 am start time at the A&S Pavilion. We’ll go for about an hour before taking a lunch break and then can continue after that if we have more speakers. Bring a chair if you like as there will be limited seating available.

  • 2025 Aquaterra Arts and Sciences Championship will officially be happening at our Good Yule event on December 6th

    As the current A&S Champion of Aquaterra, I’ll officially be hosting the 2025 Aquaterra Arts and Sciences Championship at our Good Yule event on December 6th!

    Given that art takes time, I’m putting this year’s A&S Championship details out now (below) so folk have time to get their entries together. Please message me directly if you have any questions or if you’re willing to be a judge for this competition. These details will also be able to be found on the Kingdom Calendar soon:

    ***Aquaterra Arts and Sciences Championship Competition 2025***

    “Anachronism within our anachronism”

    *Overview*

    In this competition, artisans are invited to showcase their skills by creating an item using a technique from one time and place inspired by artwork or objects from a different time and place. Think of it as two SCA personas working together on one piece of art. This challenge is meant to encourage creativity, experimentation, and historical exploration, combining the beauty of one time and place with the techniques of another.

    *Competition Guidelines*

    *Creation*

    Choose any period technique from a specific time and place. Select a piece of artwork, an object, or a style from a different time period and/or place than the technique you have chosen for inspiration. For example, you might create an embroidered pocket using 16th Century Venetian stitching techniques, but with a design inspired by early Scandinavian wood carvings.

    *Documentation*

    Provide a brief written explanation (1-2 paragraphs) detailing the historical period of the inspiration piece, the period technique used, and how they were combined in your final creation. Include references to primary sources or academic research where possible.

    *Judging Criteria*

    – Historical Accuracy: How well does the item align with the chosen period technique? Is it made using authentic materials and methods?

    – Creativity & Interpretation: How effectively does the artwork inspire and influence the finished piece? Did you take creative liberties that enhance or explore the historical context?

    – Craftsmanship: The overall execution of the technique, attention to detail, and the quality of the final item.

    *Submissions*

    Items must be presented in person to the judges and other interested witnesses who may ask questions as well.

    *Championship will be awarded* based on the above judging criteria and our Coronets approval. All participants will receive feedback on their work to encourage growth and exploration.

    *Requirements* for Champions can currently be found in our Customary on the baronial website, but that’s up for review, so check in with the Coronets if you have questions regarding that.

  • Aquaterra’s Arts and Sciences Championship

    This past weekend, I attended Aquaterra’s Good Yule event and entered my 16th-century Venetian-style gown in the barony’s Arts and Sciences Championship—and won! There was only one other competitor, so the competition wasn’t particularly fierce, but I’m still proud of myself for completing the entire process. From creating the gown last winter to putting together documentation and presentation at the last minute, I couldn’t have done it without the encouragement of the current Champion, Sigbjórg, who urged me to enter just a few days before the event.

    The project wasn’t so much about my sewing skills, or an intricately finished gown, so much as engineering that style to fit my body as well as accomplishing parallel ladder lacing rungs with a new method using period techniques—while ensuring I could still dress myself without assistance. I believe other recreationists could benefit from these techniques, so I’ve always planned to write it up, I just needed the push of a deadline to finally get started! The judges gave me some great feedback on improving my documentation, which I plan to refine before sharing it more widely. If I don’t finish by Ursulmas, it will be done soon after. (edited 10/7/25 to note – life happened, and I learned more along the way, so this is taking longer than expected, but coming!)

    Being a Champion comes with certain responsibilities, most of which align with my goal of leaning more into the arts. One of these is taking care of the A&S Champion’s regalia (the fancy drinking horn and tote bag) for a year, to pass on to the next Champion. I also received an Aquaterra Champion’s medallion and a lovely box to store it in, which are mine to keep!

    In other news, this was my first event wearing my new, beautiful circlet, which I commissioned from my friend Tabby (Tabitta Eliza Longtail), who will soon become our next baroness. That just made it even more special! The design is meant to be worn more like a headband since it’s more in keeping with the styling of my persona and is a more flattering style for me to wear. I love how it turned out! Thank you so much, Tabby!

    I also want to point out the beautiful site tokens created by Camilla. She made around 100 unique beaded necklaces for the event, which made for quite a display at gate!

    And finally, I’ve included my purchase from the dessert auction. I just couldn’t pass up the Krampus cookies!

  • xxxj – Herbelade

    This is the documentation I turned in with my dish, as well as a quick note of the advise given by the judge, Maestra Fiamma the Unquenchable*.

    xxxj – Herbelade Prepared for Banner War 2014 on September 20th

    Documentation and translation by Lady Sabina di Zorzi

    Interpretation and preparation by Lady Sabina di Zorzi and Arnora Jonsdottir of House Gremlin, Aquaterra, An Tir

    Introduction This entry is a re-creation of a recipe from Two Fifteenth-Century Cookery-Books (England, 1430), entitled “xxxj – Herbelade” – a pie made of pork shoulder, herbs, and dried fruits and nuts. This recipe can be found online with a couple different translations, but they both differ slightly from mine.

    When verifying my translation of the recipe, I found this book online, which shows one translation http://www.daviddfriedman.com/Medieval/To_Milk_an_Almond.pdf . I also found another translation of the Herbelade recipe here: http://www.3owls.org/sca/cook/cowshed.htm.  Copies of each are included with this documentation.

    I don’t like the second one because it blends the meat and I can’t see anything in the original that says that it needs to be pureed.  The recipe in the first link is close to my translation, but it uses pork chops and I am using pork shoulder/butt instead per the original recipe.

    The Source Recipe The original text of the recipe is as follows:

    xxxj – Herbelade. Take Buttes of Porke, and smyte hem in pecys, and sette it ouer the fyre; and sethe hem in fayre Watere; and whan it is y-sothe y-now, ley it on a fayre bord, and pyke owt alle the bonys, and hew it smal, and put it in a fayre bolle; than take ysope, Sawge, Percely a gode quantite, and hew it smal, and putte it on a fayre vesselle; than take a lytel of the brothe, that the porke was sothin in, and draw thorw a straynoure, and caste to the Erbys, and 3if it a boyle; thenne take owt the Erbys with a Skymoure fro the brothe, and caste hem to the Porke in the bolle; than mynce Datys smal, and caste hem ther-to, and Roysonys of Coraunce, and Pyne3, and drawe thorw a straynoure 3olkys of Eyroun ther-to, and Sugre, and pouder Gyngere, and Salt, and coloure it a lytel with Safroune; and toyle yt with thin hond al thes to-gederys; than make fayre round cofyns, and harde hem a lytel in the ovyn; than take hem owt, and wyth a dyssche in thin hond, fylle hem fulle of the Stuffe; than sette hem ther-in a-3en; and lat hem bake y-now, and serue forth.

    Translation Translated into modern English, this becomes:

    xxxj – Herbelade. Take butts of pork, and chop them in pieces, and set it over the fire; and boil them in clean water; and when it is boiled enough, lay it on a fair table, and pick out all the bones, and chop it small, and put it in a fair bowl; then take hyssop, sage, parsley a good quantity, and chop it small, and put it on a fair vessel; then take a little of the broth that the pork was cooked in, and draw through a strainer, and add to the herbs, and give it a boil; then take out the herbs with a skimmer from the broth, and add them to the pork in the bowl; then mince dates small, and add them there-to, and raisins of currants, and pine nuts or whole peppercorns, and draw through a strainer egg yolks thereto, and sugar, and powder ginger , and salt, and color it a little with saffron; and rub/cover it with your hand all these together; then make fair round crusts, and harden them a little in the oven; then take them out, and with a dish in your hand, fill them full of the stuff; then set them there-in again; and let them bake enough, and serve forth.

    Procedure

    Boil pieces of pork roast until it is able to be picked clean of all bones then diced and put in a bowl.

    Chop hyssop, sage, and parsley into small pieces and boil it in some strained pork broth. Skim out the herbs and add them to the pork.

    Add minced dates, currants, pine nuts, strained egg yolks, sugar, powdered ginger, and salt. Add a little saffron for color. Mix all ingredients thus far together.

    Make large round crusts and bake them in the oven until they harden a little. Stuff them with the mixture and put back in the oven until the mixture is cooked through. Serve immediately.

    Materials The original recipe calls for the following ingredients:

    Pork butt, water, hyssop, sage, parsley, dates, currant, pine nuts, egg yolk, sugar, ginger – powdered, salt, saffron, and a pie crust
    Notes

    I used dried hyssop, dates, and currants due to availability. I did not use saffron to color the dish due to the expense. I did not use egg yolks in order to prevent an additional food allergy* or sugar, ginger, or salt because the dish’s flavor was great where it was at before those additions.

    *The judge said I should only use medieval excuses in the future for changes to the recipe. I am thinking that it would be allowable to say that eggs ‘did not agree with my lord’, at the very least.

    Austin’s Two Fifteenth-Century Cookery-Books. Here is a link to in black and white .pdf format: https://ia600308.us.archive.org/4/items/twofifteenthcent00austuoft/twofifteenthcent00austuoft_bw.pdf

    Also available here: http://www.archive.org/stream/twofifteenthcen00librgoog/twofifteenthcen00librgoog_djvu.txt

    Along with the glossary in the books themselves, I used the Glossary of Medieval Cooking Terms by James L. Matterer as found on: http://www.godecookery.com/glossary/glossary.htm

    *This was initially published on a different blog and moved here 10/2/25

  • Iron Ink – Banner War 2014

    This was my entry for the Iron Ink held at Banner War 2014.  Unfortunately for my House, I didn’t win, though it was said to be a close competition.

    The object of the competition was to take the bit of prose they gave you (everyone received a different one) and either do the calligraphy on the blank parchment provided, or the art with room for the quote to be added later, or both.  I did the writing first, and then opened my little mini book of inspiration, tagged in a previous post, and it happened to land on a picture of a man hanging from a crane.  I couldn’t resist trying to re-create that around the provided quote since it involved ‘tasting flight’.  Here is the inspiration piece:

    war

    I also had brought documentation of the one place there is evidence of holes in the parchment being repaired, so I managed to get the nerve to cut a hole similar in shape to those in the pictures of the parchment repairs and stitch it up, almost dream catcher style.  Here is an example from this archived page from Uppsala University showing the extant pieces from one book:

    Runt_hal4_1

    If I had spent all of the allowed six hours on this project, it would have had a better chance,  but honestly,  it doesn’t look finished enough, and I need to do line work before starting calligraphy in the future, plus finishing lines on the freehanded painting would have helped.

    Overall though, I am very proud of my entry because it shows my growth so far.  The Scribe said that I may have inspired a class with my addition of a repaired hole in my parchment which would be incredible!

    *This was initially published on a different blog and moved here 10/2/25

  • Maybe Herbelade?

    Working on my Siege Cooking piece for Banner War 2014. 

    I have been working on translating meat pie recipes from Austin’s Two Fifteenth-Century Cookery-Books and think I have decided on Herbelade, recipe xxxj.

    First of all, when verifying my translation of that recipe, I found this book online: http://www.daviddfriedman.com/Medieval/To_Milk_an_Almond.pdf

    I also found another translation of the Herbelade recipe here: http://www.3owls.org/sca/cook/cowshed.htm

    I don’t like the last one because it blends the meat and I can’t see anything in the original that says that it needs to be pureed.  The recipe in the first link  is close to my translation, but I would be using pork shoulder/butt instead of pork chops.  I am working on finishing up my translation and formatting it into documentation form.  Once it is finished I will post that all in a separate post.

    *This was initially published on a different blog and moved here 10/2/25

  • Banner War 2014 prep

    Our next local SCA event is in less than two weeks, and I am actually going to get to help my house compete! Aside from helping to make donations to largess/war chest, one of the many activities is Siege Cooking:
    Siege Cooking Challenge

    “Maestra Fiamma the Unquenchable has issued this challenge:

    Demonstrate the bounty of your house and bring a period potluck to the Open Tavern, serving at least 10 folks as part of the Tavern Meal that will be served to the populace and provide a complete ingredient list.

    The more authentic and period the dish, the higher the score.

    Documentation can be as simple as a copy of the original period recipe. Your redaction (interpretation) of the recipe a bonus. No New World ingredients, unless you can document their use within the SCA period.

    The winning dish will be worth one War Point.

    Please remember to bring your own cooking/heating/serving equipment and to clean up and remove your stuff as soon as the food serving is finished. If you have any questions, I am available for consultation on ideas and sources for period recipe. Please contact me.

    How the Judging works: each person attending the tavern (including entrants) will receive a nut, which they may put in a cup by the dish they like best. Certain people (such as Their Excellency’s) will have multiple nuts to award as they see fit. The judge will award additional nuts for authentic and period dish, simple documentation see rule above, your redaction interpretation. See rules above.

    Judge / Coordinator: Maestra Fiamma the Unquenchable (fiammetta@aol.com)”

    I’ve never taken a medieval recipe and translated it myself, so I thought I would work with something I have some experience in, but try to apply it to an authentic recipe. For Fiamma’s Vigil, I made mini meat pies using this basic recipe:
    http://www.godecookery.com/goderec/grec11.htm
    That was more like a formula, not a specific recipe though, so I have been curious about exploring those more. In there, it refers to Austin’s Two Fifteenth-Century Cookery-Books which Google quickly helped me find a link to in black and white .pdf format:

    Click to access twofifteenthcent00austuoft_bw.pdf

    Time to start studying the different options and see what I can come up with before the house meeting on Saturday. I would like to be able to present an actual plan at that point and maybe solicit help. I have an idea for presentation that would be quite amusing and I think the house would be on board.

    Since the meat pie can be made ahead of time, and can be served warm or cold, I should be able to still have plenty of free time on site. Looking through the other challenges, another challenge I would like to help with is the Scribal Challenge:

    “Iron Ink

    You’ve heard of an Iron Needle to test sewing prowess? This year we are testing your scribal skills in an Iron Ink. Bring your scribal kit and demonstrate illumination or calligraphy or both in the creation of a scroll.

    Contestants will receive a charter blank and a piece of prose and have 6 hours to complete their piece. Winner will receive a War Point for their House. Remaining pieces will be donated to largess.

    Judge / Coordinator: Daigo Tsukime Kitsume”

    I have some ideas for incorporating documentable repairs, as that would be part of a scribe’s job, and will definitely make it stand out from the rest. I also recently purchased this tiny book for inspiration when working on scroll painting. http://www.amazon.com/gp/product/0789202166/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1 It is so tiny, but it travels well. Time to hunt down my calligraphy pen that got packed away a while ago and make myself a scribal kit!

    *This was initially published on a different blog and moved here 10/2/25